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Parolization and Linguistics of Saying

Received: 26 September 2015     Accepted: 28 September 2015     Published: 12 October 2015
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Abstract

Parolization, a term coined by Jürgen Trabant following Eugenio Coseriu’s guidelines, consists in the actualization of a text –seen as Ferdinand de Saussure’s langue– in reading or interpretation –seen as parole. This paper argues that parolization could be better understood if considered as an act of knowing, saying and speaking, that is, as the object of Linguistics of Saying. Aspects of this phenomenon are discussed and exemplified with literary texts (the Odissey, the Divine Comedy, La Celestina, the Cantar de Mío Cid, Rubén Darío’s Prosas profanas and Antonio Machado’s Soledades and Campos de Castilla).

Published in International Journal of Language and Linguistics (Volume 3, Issue 6-1)

This article belongs to the Special Issue Linguistics of Saying

DOI 10.11648/j.ijll.s.2015030601.25
Page(s) 112-116
Creative Commons

This is an Open Access article, distributed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution and reproduction in any medium or format, provided the original work is properly cited.

Copyright

Copyright © The Author(s), 2015. Published by Science Publishing Group

Keywords

Linguistics of Saying, Parolization, Actualization of the text, Reading

References
[1] Berceo, Gonzalo de, Milagros de Nuestra Señora. Edición de Fernando Baños. Estudio preliminar de Isabel Uría. Barcelona: Crítica, 1997.
[2] Bělič, Oldrich, En busca del verso español. Praha: Univerzita Karlova, 1975.
[3] Cantar de Mío Cid. Edición de Alberto Montaner. Estudio preliminar de Francisco Rico. Barcelona: Crítica, 2000.
[4] Cantar de Mío Cid. Texto, Gramática y vocabulario por R. Menéndez Pidal. Madrid: Espasa-Calpe, 1969.
[5] Coseriu, Eugenio, Competencia lingüística. Elementos de la teoría del hablar. Madrid: Gredos, 1992.
[6] Coseriu, Eugenio, “Información y literatura” en Coseriu, Eugenio y Óscar Loureda Lamas. Lenguaje y discurso. Pamplona: EUNSA, 2006: 85-99.
[7] Darío, Rubén, Poesías completas. Ordenadas por Luis Alberto Ruiz. Buenos Aires: Antonio Zamora, 1967.
[8] Kermode, Frank, The Sense of an Ending. Studies in the Theory of Fiction, Oxford-New York: Oxford University Press, 2000.
[9] Lázaro Carreter, Fernando, Diccionario de términos filológicos. Madrid: Gredos, 1971.
[10] Machado, Antonio, Campos de Castilla (1907-1917). Edición de Geoffrey Ribbans. Madrid, Cátedra, 1997a.
[11] Machado, Antonio, Poesía y prosa. Tomo II: Poesías completas. Edición crítica de Oreste Macrì con la colaboración de Gaetano Chiappini. Madrid: Espasa-Calpe ─ Fundación Antonio Machado, 1989.
[12] Machado, Antonio, Soledades. Galerías. Otros poemas. Edición de Geoffrey Ribbans. Madrid: Cátedra, 1997b.
[13] Martínez del Castillo, Jesús, “Fixing the Content Created in the Act of Knowing”. International Journal of Language and Linguistics 2015a; 3 (6-1): 24-30
[14] Martínez del Castillo, Jesús, “The Meaningful Intentional Purpose of the Individual Speaker”. International Journal of Language and Linguistics 2015b; 3 (6-1): 5-10
[15] Martínez del Castillo, Jesús, “The Speech Act as an Act of Knowing”. International Journal of Language and Linguistics 2015c; 3(6-1): 31-38.
[16] Poema de Mío Cid, Edición, introducción y notas de Ian Michael. Madrid: Castalia, 1973.
[17] Poema de Mío Cid. Edición de Colin Smith. Madrid: Cátedra, 1981.
[18] Rojas, Fernando (y “antiguo autor”), La Celestina. Tragicomedia de Calisto y Melibea. Edición y estudio de Francisco J. Lobera y Guillermo Serés, Paloma Díaz-Mas, Carlos Mota e Íñigo Ruiz Arzálluz y Francisco Rico. Barcelona: Crítica, 2000.
[19] Trabant, Jürgen, Semiología de la obra literaria. Glosemática y teoría de la literatura. Madrid: Gredos, 1975.
[20] Quilis, Antonio, Estructura del encabalgamiento en la métrica española. Madrid: Consejo Superior de Investigaciones Científicas, 1964.
[21] Quilis Antonio, “Sobre la percepción de los versos oxítonos, paroxítonos y paroxítonos en español” en Revista de Filología Española, L, 1967, p. 273-286.
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  • APA Style

    Jorge Wiesse Rebagliati. (2015). Parolization and Linguistics of Saying. International Journal of Language and Linguistics, 3(6-1), 112-116. https://doi.org/10.11648/j.ijll.s.2015030601.25

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    ACS Style

    Jorge Wiesse Rebagliati. Parolization and Linguistics of Saying. Int. J. Lang. Linguist. 2015, 3(6-1), 112-116. doi: 10.11648/j.ijll.s.2015030601.25

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    AMA Style

    Jorge Wiesse Rebagliati. Parolization and Linguistics of Saying. Int J Lang Linguist. 2015;3(6-1):112-116. doi: 10.11648/j.ijll.s.2015030601.25

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  • @article{10.11648/j.ijll.s.2015030601.25,
      author = {Jorge Wiesse Rebagliati},
      title = {Parolization and Linguistics of Saying},
      journal = {International Journal of Language and Linguistics},
      volume = {3},
      number = {6-1},
      pages = {112-116},
      doi = {10.11648/j.ijll.s.2015030601.25},
      url = {https://doi.org/10.11648/j.ijll.s.2015030601.25},
      eprint = {https://article.sciencepublishinggroup.com/pdf/10.11648.j.ijll.s.2015030601.25},
      abstract = {Parolization, a term coined by Jürgen Trabant following Eugenio Coseriu’s guidelines, consists in the actualization of a text –seen as Ferdinand de Saussure’s langue– in reading or interpretation –seen as parole. This paper argues that parolization could be better understood if considered as an act of knowing, saying and speaking, that is, as the object of Linguistics of Saying. Aspects of this phenomenon are discussed and exemplified with literary texts (the Odissey, the Divine Comedy, La Celestina, the Cantar de Mío Cid, Rubén Darío’s Prosas profanas and Antonio Machado’s Soledades and Campos de Castilla).},
     year = {2015}
    }
    

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    AB  - Parolization, a term coined by Jürgen Trabant following Eugenio Coseriu’s guidelines, consists in the actualization of a text –seen as Ferdinand de Saussure’s langue– in reading or interpretation –seen as parole. This paper argues that parolization could be better understood if considered as an act of knowing, saying and speaking, that is, as the object of Linguistics of Saying. Aspects of this phenomenon are discussed and exemplified with literary texts (the Odissey, the Divine Comedy, La Celestina, the Cantar de Mío Cid, Rubén Darío’s Prosas profanas and Antonio Machado’s Soledades and Campos de Castilla).
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Author Information
  • Department of Humanities, Universidad del Pacífico, Lima, Perú

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